Broughton Band Featured in Tournament of Roses Parade
Tomorrow morning (Monday) the Broughton Band will take another long-awaited step into the Tournament of Roses Parade in Pasadena, CA. The Golden Regiment first marched this parade in 2008 and ever since rumors have floated about the actual retirement date of the band’s director, Jeff Richardson (“JR”). It was this second shot for which JR held out, and it was completely worth the wait, according to JR. After becoming active in the hosting process of the parade in recent years, the band was invited to not only return to the parade, but to march in the parade’s coveted final band slot. JR’s retirement is for real, this time, however, as his replacement will take the reins on February 1..
The parade will be aired from 11am to 1pm. While NBC is the more prominent network covering the event, HGTV (TWC Channels 1350 and 350) blows NBC’s coverage away year after year. Not only is their commentary about the craft of each float superb, they also show the marching bands for more then 5 seconds each.
Take a look at the Broughton Band during their first pass of the Raleigh Christmas Parade six weeks ago:
Pour House Going “1989” Friday Night
Have a yearning for what life in the Triangle was like in 1989? Head to the Pour House as the revived The Veldt and The Connells will play. The real question is: a) will anyone young enough to not remember the CCCP be in the audience and b) know the words to CCCP? I’ll give ‘em a price.
(maybe this time The Veldt will actually SHOW for a gig they $%^&ing BOOKED…but I’m not one to hold a grudge…for decades…)
Red Hot Chili Peppers Coming to RBC Center
that on Friday, January 27, the Red Hot Chili Peppers will return to the RBC Center. Reports are that the Peppers were good on the last tour (in stark contrast the the incredibly awful concert at Walnut Creek in ?2000? when the Foo Fighters blew them out of the water. Whatever happed to that “Taste The Pain”, Fugazi-covering band we loved so much, anyway?).
Herbie Hancock Coming to UNC
96 Rock Tweaks Format, Changes Name
Yesterday 96.1FM made some changes. Instead of playing guitar-driven rock catering to young males, the station is now playing a much more diverse playlist of somewhat softer rock songs. For example, the last 10 songs they played were:
- “Wish You Were Here” – Pink Floyd
- “Tempted” – Squeeze
- “Black Betty” – Ram Jam
- “Born In the U.S.A.” – Bruce Springsteen
- “What It’s Like” – Everlast
- “Highway to Hell” – AC/DC
- “Beautiful Day” – U2
- “Something To Believe In” – Poison
- “(Don’t Fear) The Reaper” – Blue Oyster Cult
- “Selling the Drama” – Live
One thing the entire extended playlist has in common is that the songs are all more than 10 years old. While this is a more varied mix that isn’t likely to repeat songs ad nauseum during the workday (eg. Adele, The Script, Train), these are songs that have been played and played and played and played and played. This isn’t an assault on “Alternative”. It’s an assault on anything remotely creative.
Curtis Media Group also has rebranded the station to “Radio 96.1”. While it isn’t a major shift in format, it is a big enough change to warrant new branding.
What makes no sense…NO SENSE, however is the dismissal of Bob The Blade, a great personality in this market for, what, almost three decades now? If we have to endure “Don’t Fear the Reaper” for the 80,000th time, at least do it with a personality that so many people enjoy like a sibling. He was one of the bright spots in a dismal, embarrassing radio market.
If Curtis Media and Clear Channel controlled the production of food and restaurant menus, we would still be eating Pot Roast, Hamburgers, and Hot Dogs. We are one of the best places to live in America, but it surely isn’t a result of local radio’s work.
Wynton Marsalis Returning to UNC
On March, returns to UNC with the Jazz at Lincoln Center Orchestra, a great, 15-piece big band. The performance takes place at UNC’s Memorial Hall. From the Carolina Performing Arts season brochure:
The first jazz composer to win the Pulitzer Prize in music, New Orleans native Wynton Marsalis also was the first artist to win jazz and classical Grammy Awards in the same year. His Jazz at Lincoln Center Orchestra (JLCO) features 15 of jazz music’s leading soloists, drawing from an extensive repertoire including the masterworks of Ellington, Mingus, Coltrane and other great jazz composers, and original compositions by Mr. Marsalis, Benny Carter, Joe Henderson, Wayne Shorter, Joe Lovano, Marcus Roberts, Geri Allen, Christian McBride and others. “Extraordinarily versatile…”
– Los Angeles Times
It appears that general public tickets are not available yet. Information should as they are made available.
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